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This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category. Stripe sets this cookie cookie to process payments. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Dvořák’s own style has been described as ‘the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them. The theme from the Largo was adapted into the spiritual-like song "Goin' Home", often mistakenly considered a folk song or traditional spiritual, by Dvořák's pupil William Arms Fisher, who wrote the lyrics in 1922.Ĭzech composer, frequently employed aspects, specifically rhythms, of the folk music of Moravia and his native Bohemia (then parts of the Austrian Empire and now constituting the Czech Republic). Neil Armstrong took a recording of the New World Symphony to the Moon during the Apollo 11 mission, the first Moon landing, in 1969. In older literature and recordings, this symphony was often numbered as Symphony No. It is by far his most popular symphony, and one of the most popular of all symphonies. The piece was composed by Antonín Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. 178, popularly known as the New World Symphony. Negro Spiritual Melody, Largo from Symphony No.
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